Lecture: Anatomy of the Human Body (1952)

And it actually can get down to a point where the composite you ¹, fortunately very lightly so, can actually be influenced by thousands and thousands and thousands and thousands of theta lines ² which you’ve picked up, but which aren’t your theta lines. You’re just sort of holding them trapped. And they’ve tried to go back, and go where they’re supposed to go between lives and they try to do this and they try to do that. Maybe they’re so groggy they don’t know enough to do this, and so on. You take somebody who is really sick and you run out an overt act, if he’ll get a grief charge on it or if you reduce this overt act, you have probably also jettisoned a captured theta body ³, just like that.

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Very often – you see, it’s not normal for people to do this jump cycle and go between lives; that is not laws of the universe. That is something just foisted off, and it’s only been temporary. It’s happened earlier times, but it’s really temporary. It’s been going on here for the last thirty-five thousand years, and that’s very recent. So this between-lives cycle and diving into the body just before birth is not native to the universe. That just happens to be what goes on here right now – temporary sort of a thing, probably won’t last but a few more months. Anyway – unless a lot of these spirits are very well indoctrinated.

It’s pretty hard to keep a tab on what it’s going to be, a boy or a girl. So you et this package of theta beings all advised as to the fact they’re supposed to go down there and be a good fellow this time, and it’s a woman’s body. That’s very complex. Or you go down there and you say – the goal that’s been appointed – “Now, you’re supposed to be a dancer, a beautiful dancer and you’re supposed to lure men.” Goes down and dives in and it’s a boy! Complex sort of a thing. What do you do with a boy’s body that’s supposed to be a beautiful dancer? “I’m sane, there’s nothing wrong with me. Yap, yap. And here’s this boy’s body and I’m supposed to be a beautiful dancer.”

You get these terrific conflicts in people in the arts. They’re trying hard to carry on in the arts against MEST universe which believes chaos is it. You see, theta is aesthetic and the MEST universe is force. The MEST universe is all past and theta is future. And you get somebody in the arts and he’s having a rough time of it anyway, and he gets enough slaps in the face, and the first thing you know, gee, he’ll shift sex or valences and he’ll be very hair-trigger about things. Very upsetting. He’s trying like mad to somehow regain or retain some equilibrium in a world which just isn’t tailor-made for aesthetics, that’s all. And so he can get into a lot of trouble.

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Notes